Universal service

Last week a couple of friends and I got around to trying out Techdirt‘s 2025 game, One Billion Users. This card-based game has each player trying to build a social network while keeping toxicity under control.

First impression: the instructions are bananas complicated. There are users, influencers, events, hotfixes, safeguards…and a Troll, which everyone who understood the instructions tried to push off on someone else ASAP. One of our number became the gamemaster, reading out the instructions we struggled to remember. You win by adding (and subtracting) points based on the cards you’re holding when the the GAME OVER card turns up.

Even in a single game where we were feeling our way through, different strategies emerged. One of our number did her best to build a smaller, friendlier network. She succeeded – but it wasn’t a winning strategy. Without any thought to planning, my network ended up medium-sized. I was constrained by an event card stopping me from adding new users, and then, catastrophically, “gifted” the Troll. I came in second. The winner had built a huge number of users, successfully dumped the troll (thank you *so* much), and acquired several influencers who brought their own communities. We eventually identified the networks we’d built, in order: Tumblr, Twitter (not, I think, X), Facebook.

In a more detailed review, Adi Robertson at The Verge traces the roots of the game’s design to a game we played a lot in my childhood but that I no longer remember very well: Mille Bornes (“A Thousand Milestones”). A change of theme, some added twists, I see it now.

We will try this game again. I didn’t *want* to build the Torment Nexus!

***

It appears the BBC wants to switch off Freeview in 2034. For non-UK readers: Freeview is digital terrestrial television – that is, broadcast. It’s operated by a joint venture among the UK’s public service broadcasters (PSBs) – the BBC, ITV, Channel 4, and Channel 5. Given any television made since 2008 or another receiver device you can access 85 channels without paying anything more other than the BBC’s license fee. That, too, will soon be under review; the BBC’s charter is due for renewal in 2027. Freeview is one piece of a larger puzzle.

As Mark Sweney explains at the Guardian, the Department of Culture, Media, and Sport is reviewing options for Freeview’s future, and is considering three alternatives presented by Ofcom (PDF), the broadcast regulator. One: upgrade the present infrastructure. Two: maintain it as a cut-down service offering only the PSBs’ core channels. Three: move entirely to streaming.

The broadcasters, Sweney writes, favor the latter, choosing 2034 as a logical time to shut down Freeview because that’s when their contract with their network operator expires. By then, projections say that about 1.8 million people will still be dependent on Freeview, a long way down from today’s estimated 12 million. Many more homes, like mine, use both. The Ofcom report says that in 2023 39% of TV viewing was via broadcast.

Most of the discussion focuses on costs: updating the Freeview infrastructure is expensive for broadcasters, switching to streaming is an ongoing expense for individuals. Households would need a broadband subscription, new equipment, and the streaming app Freely, which was launched in 2024. There is a petition opposing the change.

This discussion is happening shortly after the British Audience Research Board announced that the number of YouTube viewers passed the number of BBC viewers for the first time. However, as Dekan Apajee writes at The Conversation, even on YouTube people are still watching the BBC’s output, even if they’re not be aware of it. Apajee is more concerned about context and finding ways to distinguish public service broadcasting and its values from the jumble of everything else on YouTube. How do the PSBs meet the requirement for universal service? Ofcom’s more recent report on the future of public service media (PDF), also warns of this loss of discoverability amid increased competition.

Adding to that, the BBC is reportedly considering a formal content agreement with YouTube that would have it publish some younger-oriented content there before showing it on its own platforms. It’s odd timing, as so many are warning against depending on US technology, as the economist Paul Krugman wrote yesterday. The loss of audience data has been a theme in the rise of streamers – and YouTube has just withdrawn from BARB’s audience measurement system, saying the organization violated YouTube’s terms and conditions.

Remarkably little of this discussion considers the potential loss of privacy inherent in forcing everyone to move to “smart” data collection machines (TVs, phones, computers). Is there a future in which it’s still possible to watch video content anonymously? (Yes, but they call it “piracy”.)

The BBC seems to believe that transitioning to streaming can be smooth. Sweney cites the years to 2012, when analog TV was switched off in favor of digital broadcast, which he describes as “near seamless” despite warnings of potential exclusion. Maybe so, but a lot of televisions were wastefully dumped, and that conversion was a one-time cost, not a permanent monthly drain.

At a meeting yesterday about building better technology, one attendee passionately advocated trustworthy content, presented by trusted sources. Ah, I thought, she wants to reinvent the BBC. Doesn’t everyone?

Illustrations: Family watching television in 1958 (via Wikimedia.

Wendy M. Grossman is an award-winning journalist. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon or Bluesky.

The censorship-industrial complex

In a sign of the times, the Academy of Motion Picture Arts and Sciences has announced that in 2029 the annual Oscars ceremony will move from ABC to YouTube, where it will be viewable worldwide for free. At Variety, Clayton Davis speculates how advertising will work – perhaps mid-roll? The obvious answer is to place the ads between the list of nominees and opening the envelope to announce the winner. Cliff-hanger!

The move is notable. Ratings for the awards show have been declining for decades. In 1960, 45.8 million people in the US watched the Oscars – live, before home video recording. In 1998, the peak, 55.2 million, after VCRs, but before YouTube. In 2024: 19.5 million. This year, the Oscars drew under 18.1 million viewers.

On top of that, broadcast TV itself is in decline. One of the biggest audiences ever gathered for a single episode of a scripted show was in 1983: 100 million, for the series finale of M*A*S*H. In 2004, the Friends finale drew 52.5 million. In 2019, the Big Bang Theory finale drew just 17.9 million. YouTube has more than 2.7 billion active users a month. Whatever ABC was paying for the Oscars, reach may matter more than money, especially in an industry that is also threatened by shrinking theater audiences. In the UK, YouTube is second most-watched TV service ($), after only the BBC.

The move suggests that the US audience itself may also not be as uniquely important as it was historically. The Academy’s move fits into many other similar trends.

***

During this week’s San Francisco power outage, an apparently unexpected consequence was that non-functioning traffic lights paralyzed many of the city’s driverless Waymo taxis. In its blog posting, the company says, “While the Waymo Driver is designed to handle dark traffic signals as four-way stops, it may occasionally request a confirmation check to ensure it makes the safest choice. While we successfully traversed more than 7,000 dark signals on Saturday, the outage created a concentrated spike in these requests. This created a backlog that, in some cases, led to response delays contributing to congestion on already-overwhelmed streets.”

Friends in San Francisco note that the California Driver’s Handbook (under “Traffic Control”) is specific about what to do in such situations: treat the intersection as if it had all-way stop signs. It’s a great example of trusting human social cooperation.

Robocars are, of course, not in on this game. In an uncertain situation they can’t read us. So the volume of requests overwhelmed the remote human controllers and the cars froze, blocking intersections and even sidewalks. Waymo suspended the service temporarily, and says it is updating the cars’ software to make them act “more decisively” in such situations in future.

Of course, all these companies want to do away with the human safety drivers and remote controllers as they improve cars’ programming to incorporate more edge cases. I suspect, however, that we’ll never really reach the point where humans aren’t needed; there will always be new unforeseen issues. Driving a car is a technical challenge. Sharing the roads with others is a social effort requiring the kind of fuzzy flexibility computers are bad at. Getting rid of the humans will mean deciding what level of dysfunction we’re willing to accept from the cars.

Self-driving taxis are coming to London in 2026, and I’m struggling to imagine it. It’s a vastly more complex city to navigate than San Francisco, and has many narrow, twisty little streets to flummox programmers used to newer urban grids.

***

The US State Department has announced sanctions barring five people and potentially their families from obtaining visas to enter or stay in the US, labeling them radical activists and weaponized NGOs. They are: Imran Ahmed, an ex-Labour advisor and founder and CEO of the Centre for Countering Digital Hate; Clare Melford, founder of the Global Disinformation Index; Thierry Breton, a former member of the European Commission, whom under secretary of state for public diplomacy Sarah B. Rogers, called “a mastermind” of the Digital Services Act; and Josephine Ballon and Anna-Lena von Hodenberg, managing directors of the independent German organization HateAid, which supports people affected by digital violence. Ahmed, who lived in Washington, DC, has filed suit to block his deportation; a judge has issued a temporary restraining order.

It’s an odd collection as a “censorship-industrial complex”. Breton is no longer in a position to make laws calling US Big Tech to account; his inclusion is presumably a warning shot to anyone seeking to promote further regulation of this type. GDI’s site’s last “news” posting was in 2022. HateAid has helped a client file suit against Google in August 2025, and sued X in July for failing to remove criminal antisemitic content. The Center for Countering Digital Hate has also been in court to oppose antisemitic content on X and Instagram; in 2024 Elon Musk called it a ‘criminal organization’. There was more logic to”the three people in hell” taught to an Irish friend as a child (Cromwell, Queen Elizabeth I, and Martin Luther).

Whatever the Trump administration’s intention, the result is likely to simply add more fuel to initiatives to lessen European dependence on US technology.

Illustrations: Christmas tree in front of the US Capitol in 2020 (via Wikimedia).

Wendy M. Grossman is an award-winning journalist. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon or Bluesky.