Review: Money in the Metaverse

Money in the Metaverse: Digital Assets, Online Identities, Spatial Computing, and Why Virtual Worlds Mean Real Business
by David Birch and Victoria Richardson
London Publishing Partnership
ISBN: 978-1-916749-05-4

In my area of London there are two buildings whose architecture unmistakably identifies them as former banks. Time has moved on, and one houses a Pizza Express, the other a Tesco Direct. The obviously-built-to-be-a-Post-Office building, too, is now a restaurant, and the post office itself now occupies a corner of a newsagent’s. They ilustrate a point David Birch has frequently made: there is nothing permanent about our financial arrangements. Banking itself is only a few hundred years old.

Writing with Victoria Richardson, in their new book Money in the Metaverse: Birch argues this point anew. At one time paper notes seemed as shocking and absurd as cryptocurrencies and non-fungible tokens do today. The skeptic reads that and wonders if the early days of paper notes were as rife with fraud and hot air as NFTs have been. Is the metaverse even still a thing? It’s all AI hype round here now.

Birch and Richardson, however, believe that increasingly our lives will be lived online – a flight to the “cyburbs”, they call it. In one of their early examples of our future, they suggest it will be good value to pay for a virtual ticket (NFT) to sit next to a friend to listen to a concert in a virtual auditorium. It may be relevant that they were likely writing this during the acute phase of the covid pandemic. By now, most of the people I zoomed with then are back doing things in the real world and are highly resistant to returning to virtual, or even hybrid, meetups.

But exactly how financial services might operate isn’t really their point and would be hard to get right eve if it were. Instead, their goal is to explain various novel financial technologies and tools such as NFTs, wallets, smart contracts, and digital identities and suggest possible strategies for businesses to use them to build services. Some of the underlying ideas have been around for at least a couple of decades: software agents that negotiate on an individual’s behalf, and support for multiple disconnected identities to be used in the different roles in life we all have, for example. Others are services that seem to have little to do with the metaverse, such as paperless air travel, already being implemented, and virtual tours of travel destination, which have been with us in some form since video arrived on the web.

The key question – whether the metaverse will see mass adoption – is not one Birch and Richardson can answer. Certainly, I’m dubious about some of the use cases they propose – such as the idea of gamifying life insurance by offering reduced premiums to those who reach various thresholds of physical activity or healthy living. Insurance is supposed to manage risk by pooling it; their proposal would penalize disability and illness.

A second question occurs: what new kinds of crime will these technologies enable? Just this week, Fortune reported that cashlessness has brought a new level of crime to Sweden. Why should the metaverse be different? This, too, is beyond the scope of Birch’s and Richardson’s work, which is to explain but not to either hype or critique. The overall impression the book leaves, however, is of a too-clean computer-generated landscape or smart city mockup, where the messiness of real life is missing.

Admiring the problem

In one sense, the EU’s barely dry AI Act and the other complex legislation – the Digital Markets Act, Digital Services Act, GDPR, and so on -= is a triumph. Flawed it may be, but it’s a genuine attempt to protect citizens’ human rights against a technology that is being birthed with numerous trigger warnings. The AI-with-everything program at this year’s Computers, Privacy, and Data Protection, reflected that sense of accomplishment – but also the frustration that comes with knowing that all legislation is flawed, all technology companies try to game the system, and gaps will widen.

CPDP has had these moments before: new legislation always comes with a large dollop of frustration over the opportunities that were missed and the knowledge that newer technologies are already rushing forwards. AI, and the AI Act, more or less swallowed this year’s conference as people considered what it says, how it will play internationally, and the necessary details of implementation and enforcement. Two years at this event, inadequate enforcement of GDPR was a big topic.

The most interesting future gaps that emerged this year: monopoly power, quantum sensing, and spatial computing.

For at least 20 years we’ve been hearing about quantum computing’s potential threat to public key encryption – that day of doom has been ten years away as long as I can remember, just as the Singularity is always 30 years away. In the panel on quantum sensing, Chris Hoofnagle argued that, as he and Simson Garfinkel recently wrote at Lawfare and in their new book, quantum cryptanalysis is overhyped as a threat (although there are many opportunities for quantum computing in chemistry and materials science). However, quantum sensing is here now, works (because qubits are fragile), and is cheap. There is plenty of privacy threat here to go around: quantum sensing will benefit entirely different classes of intelligence, particularly remote, undetectable surveillance.

Hoofnagle and Garfinkel are calling this MASINT, for machine and signature intelligence, and believe that it will become very difficult to hide things, even at a national level. In Hoofnagle’s example, a quantum sensor-equipped drone could fly over the homes of parolees to scan for guns.

Quantum sensing and spatial computing have this in common: they both enable unprecedented passive data collection. VR headsets, for example, collect all sorts of biomechanical data that can be mined more easily for personal information than people expect.

Barring change, all that data will be collected by today’s already-powerful entities.

The deeper level on which all this legislation fails particularly exercised Cristina Caffarra, the co-founder of the Centre for Economic Policy Research in the panel on AI and monopoly, saying that all this legislation is basically nibbling around the edges because they do not touch the real, fundamental problem of the power being amassed by the handful of companies who own the infrastructure.

“It’s economics 101. You can have as much downstream competition as you like but you will never disperse the power upstream.” The reports and other material generated by government agencies like the UK’s Competition and Markets Authority are, she says, just “admiring the problem”.

A day earlier, the Novi Sad professor Vladen Joler had already pointed out the fundamental problem: at the dawn of the Internet anyone could start with nothing and build something; what we’re calling “AI” requires billions in investment, so comes pre-monopolized. Many people dismiss Europe for not having its own homegrown Big Tech, but that overlooks open technologies: the Raspberry Pi, Linux, and the web itself, which all have European origins.

In 2010, the now-departing MP Robert Halfon (Con-Harlow) said at an event on reining in technology companies that only a company the size of Google – not even a government – could create Street View. Legend has it that open source geeks heard that as a challenge, and so we have OpenStreetMap. Caffarra’s fiery anger raises the question: at what point do the infrastructure providers become so entrenched that they could choke off an open source competitor at birth? Caffarra wants to build a digital public interest infrastructure using the gaps where Big Tech doesn’t yet have that control.

The Dutch Groenlinks MEP Kim van Sparrentak offered an explanation for why the AI Act doesn’t address market concentration: “They still dream of a European champion who will rule the world.” An analogy springs to mind: people who vote for tax cuts for billionaires because one day that might be *them*. Meanwhile, the UK’s Competition and Markets Authority finds nothing to investigate in Microsoft’s partnership with the French AI startup Mistral.

Van Sparrentak thinks one way out is through public procurement; adopt goals of privacy and sustainability, and support European companies. It makes sense; as the AI Now Institute’s Amba Kak, noted, at the moment almost everything anyone does digitally has to go through the systems of at least one Big Tech company.

As Sebastiano Toffaletti, head of the secretariat of the European SME Alliance, put it, “Even if you had all the money in the world, these guys still have more data than you. If you don’t and can’t solve it, you won’t have anyone to challenge these companies.”

Illustrations: Vladen Joler shows Anatomy of an AI System, a map he devised with Kate Crawford of the human labor, data, and planetary resources that are extracted to make “AI”.

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon.

Microsoft can remember it for you wholesale

A new theory: somewhere in the Silicon Valley universe there’s a cadre of techies who have eidetic memories and they’re feeling them start to slip. Panic time.

That’s my best explanation for Microsoft’s latest wheeze, a new feature for its Copilot assistant that will take what’s variously called a “snapshot” or a “screenshot” of your computer (all three monitors?) every five seconds and store it for future reference. Microsoft hasn’t explained much about Recall’s inner technical workings, but according to the announcement, the data will be stored locally and will be searchable via semantic associations and some sort of “AI”. Microsoft also says the data will not be used to train AI models.

The general anger and dismay at this plan brings back, almost nostalgically, memories of the 1990s, when Microsoft was near-universally hated as the evil monopolist dominating computing. In 2008, when Google was ten years old, a BBC presenter asked me if I thought Google would ever be hated as much as Microsoft was (not then, no). In 2012, veteran journalist Charles Arthur published the book Digital Wars about how Microsoft had stagnated and lost its lead. And then suddenly, in the last few years, it’s back on top.

Possibilities occur that Microsoft doesn’t mention. For example: could software might be embedded into Windows to draw inferences from the data Recall saves? And could those inferences be forwarded to the company or used to target you with ads? That seems like a far more efficient way to invade users’ privacy than copying the data itself, if that’s what the company ultimately wants to do.

Lots of things on our computers already retain a “memory” of what we’ve been doing. Operating systems generate logs to help debug problems. Word processors retain a changelog, which powers the ability to undo mistakes. Web browsers have user-configurable histories; email software has archives; media players retain playlists. All of those are useful – but part of that usefulness is that they are contextual, limited, and either easily terminated by closing the relevant application or relatively easily edited to remove items that shouldn’t be kept.

It’s hard for almost everyone who isn’t Microsoft to understand the point of keeping everything by default. It seems like a feature only developers could love. I certainly would like Windows to be better at searching for stored files or my (Firefox) browser to be better at reloading that article I was reading yesterday. I have even longed for a personal version of Vannevar Bush’s Memex. As part of that, I might welcome a feature that let me hit a button to record the last five useful minutes of a meeting, or save a social media post to a local archive. But the key to that sort of memory expansion is curation, not remembering everything promiscuously. For most people, selective forgetting is how we survive the torrents of irrelevance hurled at us every day.

What Recall sounds most like is the lifelog science fiction writer Charlie Stross imagined in 2007 might be our future. Plummeting storage costs and expanding capacity, he reasoned, would make it possible to store *everything* in your pocket. Even then, there were (a very few) people doing that sort of thing, most notably Steve Mann, a University of Toronto professor who started wearing devices to comprhensively capture his life as a 1990s graduate student. Over the years, Mann has shrunk his personal gadget array from a laptop and peripherals to glasses and pocket devices. Many more people capture their surroundings now – but they do it on their phones. If Apple or Google were proposing a Recall feature for iOS or Android, the idea would seem a lot less weird.

The real issue is that there are many people who would like to be able to know what somone *else* has been doing on their computer at all times. Helicopter parents. Schools and teachers under government compulsion (see for example Prevent (PDF)). Employers. Border guards. Corporate spies. The Department of Work and Pensions. Authoritarian governments. Law enforcement and security agencies. Criminals. Domestic abusers… So developing any feature like this must include considering how to protect it against these threats. This does not appear to have happened.

Many others have written about the privacy issues in all this – the UK’s Information Commission’s Office is already investigating. At The Register, Richard Speed does a particularly good job of looking at some of the fine details. On Mastodon, Kevin Beaumont says inspection of the Copilot+ software suggests that Recall stores the text it extracts from all those snapshots into an easily copiable SQlite database.

But there’s still more. The kind of archive Recall appears to construct can teach an attacker how the target thinks: not just what passwords they choose but how they devise them.Those patterns can be highly valuable. Granted, few targets are worth that level of attention, but it happens, as Peter Davies, a technical director at eThales, has often warned.

Recall is not the only move – see also flawed-AI-with-everything – that suggests that the computer industry, like some politicians and governments, is badly losing touch with the public. Increasingly, what they want to do seems unrelated to what the rest of us want. If they think things like Recall are a good idea they need to read more Philip K. Dick. And then don’t invent the Torment Nexus.

Illustrations: Arnold Schwarzenegger seeking better memories in the 1990 film Total Recall.

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon..

Alabama never got the bomb

There is this to be said for nuclear weapons: they haven’t scaled. Since 1969, when Tom Lehrer warned about proliferation (“We’ll try to stay serene and calm | When Alabama gets the bomb”), a world of treaties, regulation, and deterrents has helped, but even if it hadn’t, building and updating nuclear weapons remains stubbornly expensive. (That said, the current situation is scary enough.)

The same will not be true of drones, James Patton Rogers explained in a recent talk at Kings College London about his new book, Precision: A History of American Warfare. Already, he says, drones are within reach for non-governmental actors such as Mexican drug cartels. At the BBC, Jonathan Marcus estimated in February 2022 that more than 100 nations and non-state actors already have combat drones and these systems are proliferating rapidly. The brief moment in which the US and Israel had an exclusive edge is already gone; Rogers says Iran and Turkey are “drone powers”. Back to the BBC in 2022: Marcus writes that some terrorist groups had already been able to build attack drone systems using commercial components for a few hundred dollars. Rogers put the number of countries with drone capability in 2023 at 113, plus 65 armed groups. He also called them one of the “greatest threats to state security”, noting the speed and abruptness with which they’ve flipped from being protective and their potential for “assassinations, strikes, saturation attacks”.

Rogers, who calls his book an “intellectual history”, traces the beginnings of precision to the end of the long, muddy, casualty-filled conflict of World War I. Never again: instead, remote attacks on military-industrial targets that limit troops on the ground and loss of life. The arrival of the atomic bomb and Russia’s development of same changed focus to the Dr Strangelove-style desire for the technology to mount massive retaliation. John F. Kennedy successfully campaigned on the missile gap. (In this part of Rogers’ presentation, it was impossible not to imagine how effective this amount of energy could have been if directed toward climate change…)

The 1990s and the Gulf War brought a revival of precision in the form of the first cruise missiles and the first drones. But as long ago as 1988 there were warnings that the US could not monopolize drones and they would become a threat. “We need an international accord to control drone proliferation,” Rogers said.

But the threat to state security was not Rogers’ answer when an audience member asked him, “What keeps you awake at night?”

“Drone mass killings targeting ethnic diasporas in cities.”

Authoritarian governments have long reached out to control opposition outside their borders. In 1974, I rented an apartment from the Greek owner of a local highly-regarded restaurant. A day later, a friend reacted in horror: didn’t I know that restaurateur was persona-non-patronize because he had reported Greek student protesters in Ithaca, New York to the military junta then in power and there had been consequences for their families back home? No, I did not.

As an informant, landlord’s powers were limited, however. He could go to and photograph protests; if he couldn’t identify the students he could still send their pictures. But he couldn’t amass comprehensive location data tracking their daily lives, operate a facial recognition system, or monitor them on social media and infer their social graphs. A modern authoritarian government equipped with Internet connections can do all of that and more, and the data it can’t gather itself it can obtain by purchase, contract, theft, hacking, or compulsion.

In Canada, opponents of Chinese Communist Party policies report harassment and intimidation. Freedom House reports that China’s transnational repression also includes spyware, digital threats, physical assault, and cooption of other countries, all escalating since 2014. There’s no reason for this sort of thing to be limited to the Chinese (and Russians); Citizen Lab has myriad examples of governments’ use of spyware to target journalists, political opponents, and activists, inside or outside the countries where they’re active.

Today, even in democratic countries there is an ongoing trend toward increased and more militaristic surveillance of migrants and borders. In 2021, Statewatch reported on the militarization of the EU’s borders along the Mediterranean, including a collaboration between Airbus and two Israeli companies to use drones to intercept migrant vessels Another workshop that same year made plain the way migrants are being dataveilled by both governments and the aid agencies they rely on for help. In 2022, the courts ordered the UK government to stop seizing the smartphones belonging to migrants arriving in small boats.

Most people remain unaware of this unless some poliitician boasts about it as part of a tough-on-immigration platform. In general, rights for any kind of foreigners – immigrants, ethnic minorities – are a hard sell, if only because non-citizens have no vote, and an even harder one against the headwind of “they are not us” rhetoric. Threats of the kind Rogers imagined are not the sort nations are in the habit of protecting against.

It isn’t much of a stretch to imagine all those invasive technologies being harnessed to build a detailed map of particular communities. From there, given affordable drones, you just need to develop enough malevolence to want to kill them off, and be the sort of country that doesn’t care if the rest of the world despises you for it.

Illustrations: British migrants to Australia in 1949 (via Wikimedia).

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon

Borderlines

Think back to the year 2000. New York’s World Trade Center still stood. Personal digital assistants were a niche market. There were no smartphones (the iPhone arrived in 2006) or tablets (the iPad took until 2010). Social media was nascent; Facebook first opened in 2004. The Good Friday agreement was just two years old, and for many in Britain “terrorists” were still “Irish”. *That* was when the UK passed the Terrorism Act (2000).

Usually when someone says the law can’t keep up with technological change they mean that technology can preempt regulation at speed. What the documentary Phantom Parrot shows, however, is that technological change can profoundly alter the consequences of laws already on the books. The film’s worked example is Schedule 7 of the 2000 Terrorism Act, which empowers police to stop, question, search, and detain people passing through the UK’s borders. They do not need prior authority or suspicion, but may only stop and question people for the purpose of determining whether the individual may be or have been concerned in the commission, preparation, or instigation of acts of terrorism.

Today this law means that anyone ariving at the UK border may be compelled to unlock access to data charting their entire lives. The Hansard record of the debate on the bill shows clearly that lawmakers foresaw problems: the classification of protesters as terrorists, the uselessness of fighting terrorism by imprisoning the innocent (Jeremy Corbyn), the reversal of the presumption of innocence. But they could not foresee how far-reaching the powers the bill granted would become.

The film’s framing story begins in November 2016, when Muhammed Rabbani arrived at London’s Heathrow Airport from Doha and was stopped and questioned by police under Schedule 7. They took his phone and laptop and asked for his passwords. He refused to supply them. On previous occasions, when he had similarly refused, they’d let him go. This time, he was arrested. Under Schedule 7, the penalty for such a refusal can be up to three months in jail.

Rabbani is managing director of CAGE International, a human rights organization that began by focusing on prisoners seized under the war on terror and expanded its mission to cover “confronting other rule of law abuses taking place under UK counter-terrorism strategy”. Rabbani’s refusal to disclose his passwords was, he said later, because he was carrying 30,000 confidential documents relating to a client’s case. A lawyer can claim client confidentiality, but not NGOs. In 2018, the appeals court ruled the password demands were lawful.

In September 2017, Rabbani was convicted. He was g iven a 12-month conditional discharge and ordered to pay £620 in costs. As Rabbani says in the film, “The law made me a terrorist.” No one suspected him of being a terrorist or placing anyone in danger; but the judge made clear she had no choice under the law and so he nonetheless has been convicted of a terrorism offense. On appeal in 2018, his conviction was upheld. We see him collect his returned devices – five years on from his original detention.

Britain is not the only country that regards him with suspicion. Citing his conviction, in 2023 France banned him, and, he claims, Poland deported him.

Unsurprisingly, CAGE is on the first list of groups that may be dubbed “extremist” under the new definition of extremism released last week by communities secretary Michael Gove. The direct consequence of this designation is a ban on participation in public life – chiefly, meetings with central and local government. The expansion of the meaning of “extremist”, however, is alarming activists on all sides.

Director Kate Stonehill tells the story of Rabbani’s detention partly through interviews and partly through a reenactment using wireframe-style graphics and a synthesized voice that reads out questions and answers from the interview transcripts. A cello of doom provides background ominance. Laced through this narrative are others. A retired law enforcement office teaches a class to use extraction and analysis tools, in which we see how extensive the information available to them really is. Ali Al-Marri and his lawyer review his six years of solitary detention as an enemy combatant in Charleston, South Carolina. Lastly, Stonehill calls on Ryan Gallegher’s reporting, which exposed the titular Phantom Parrot, the program to exploit the data retained under Schedule 7. There are no records of how many downloads have been taken.

The retired law enforcement officer’s class is practically satire. While saying that he himself doesn’t want to be tracked for safety reasons, he tells students to grab all the data they can when they have the opportunity. They are in Texas: “Consent’s not even a problem.” Start thinking outside of the box, he tells them.

What the film does not stress is this: rights are largely suspended at all borders. In 2022, the UK extended Schedule 7 powers to include migrants and refugees arriving in boats.

The movie’s future is bleak. At the Chaos Computer Congress, a speaker warns that gait recognition, eye movement detection, and speech analysis (accents, emotion) and and other types of analysis will be much harder to escape and enable watchers to do far more with the ever-vaster stores of data collected from and about each of us.

“These powers are capable of being misused,” said Douglas Hogg in the 1999 Commons debate. “Most powers that are capable of being misused will be misused.” The bill passed 210-1.

Illustrations: Still shot from the wireframe reenactment of Rabbani’s questioning in Phantom Parrot.

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon

Review: The Oracle

The Oracle
by Ari Juels
Talos Press
ISBN: 978-1-945863-85-1
Ebook ISBN: 978-1-945863-86-8

In 1994, a physicist named Timothy C. May posited the idea of an anonymous information market he called blacknet. With anonymity secured by cryptography, participants could trade government secrets. And, he wrote in 1988’s Crypto-Anarchist Manifesto “An anonymous computerized market will even make possible abhorrent markets for assassinations and extortion.” In May’s time, the big thing missing to enable such a market was a payment system. Then, in 2008, came bitcoin and the blockchain.

In 2015, Ari Juels, now the Weill Family Foundation and Joan and Sanford I. Weill Professor at Cornell Tech but previously chief scientist at the cryptography company RSA, saw blacknet potential in etherum’s adoption of “smart contracts”, an idea that had been floating around since the 1990s. Smart contracts are computer programs that automatically execute transactions when specified conditions are met without the need for a trusted intermediary to provide guarantees. Among other possibilities, they can run on blockchains – the public, tamperproof, shared ledger that records cryptocurrency transactions.

In the resulting research paper on criminal smart contracts PDF), Juels and co-authors Ahmed Kosba and Elaine Shi wrote: “We show how what we call criminal smart contracts (CSCs) can facilitate leakage of confidential information, theft of cryptographic keys, and various real-world crimes (murder, arson, terrorism).”

It’s not often a research paper becomes the basis for a techno-thriller novel, but Juels has prior form. His 2009 novel Tetraktys imagined that members of an ancient Pythagorean cult had figured out how to factor prime numbers, thereby busting the widely-used public key cryptography on which security on the Internet depends. Juels’ hero in that book was uniquely suited to help the NSA track down the miscreants because he was both a cryptographer and the well-schooled son of an expert on the classical world. Juels could almost be describing himself: before turning to cryptography he studied classical literature at Amherst and Oxford.

Juels’ new book, The Oracle, has much in common with his earlier work. His alter-ego here is a cryptographer working on blockchains and smart contracts. Links to the classical world – in this case, a cult derived from the oracle at Delphi – are provided by an FBI agent and art crime investigator who enlists his help when a rogue smart contract is discovered that offers $10,000 to kill an archeology professor, soon followed by a second contract offering $700,000 for a list of seven targets. Soon afterwards, our protagonist discovers he’s first on that list, and he has only a few days to figure out who wrote the code and save his own life. That quest also includes helping the FBI agent track down some Delphian artifacts that we learn from flashbacks to classical times were removed from the oracle’s temple and hidden.

The Delphi oracle, Juels writes, “revealed divine truth in response to human questions”. The oracles his cryptographer is working on are “a source of truth for questions asked by smart contracts about the real world”. In Juels’ imagining, the rogue assassination contract is issued with trigger words that could be expected to appear in a death announcement. When someone tries to claim the bounty, the smart contract checks news sources for those words, only paying out if it finds them. Juels has worked hard to make the details of both classical and cryptographic worlds comprehensible. They remain stubbornly complex, but you can follow the story easily enough even if you panic at the thought of math.

The tension is real, both within and without the novel. Juels’ idea is credible enough that it’s a relief when he says the contracts as described are not feasible with today’s technology, and may never become so (perhaps especially because the fictional criminal smart contract is written in flawless computer code). The related paper also notes that some details of their scheme have been left out so as not to enable others to create these rogue contracts for real. Whew. For now.

Anachronistics

“In my mind, computers and the Internet arrived at the same time,” my twenty-something companion said, delivering an entire mindset education in one sentence.

Just a minute or two earlier, she had asked in some surprise, “Did bulletin board systems predate the Internet?” Well, yes: BBSs were a software package running on a single back room computer with a modem users dialed into, whereas the Internet is this giant sprawling mess of millions of computers connected together…simple first, complex later.

Her confusion is understandable: from her perspective, computers and the Internet did arrive at the same time, since her first conscious encounters with them were simultaneous.

But still, speaking as someone who first programmed a (mainframe, with punch cards) computer in 1972 as a student, who got her first personal computer in 1982, and got online in 1991 by modem and 1999 by broadband and to whom the sequence of events is memorable: wow.

A 25-year-old today was born in 1999 (the year I got broadband). Her counterpart 15 years hence (born 2014, the year a smartphone replaced my personal digital assistant) may think smart phones and the Internet were simultaneous. And sometime around 2045 *her* counterpart born in 2020 (two years before ChatGPT was released) might think generative text and image systems were contemporaneous with the first computers.

I think this confusion must have something to do with the speed of change in a relatively narrow sector. I’m sure that even though they all entered my life simultaneously, by the time I was 25 I knew that radio preceded TV (because my parents grew up with radio), bicycles preceded cars, and that handwritten manuscripts predated printed books (because medieval manuscripts). But those transitions played out over multiple lifetimes, if not centuries, and all those memories were personal. Few of us reminisce about the mainframes of the 1960s because most of us didn’t have access to them.

And yet, understanding the timeline of earlier technologies probably mattered less than not understanding the sequence of events in information technology. Jumbling the arrival dates of the pieces of information technology means failing to understand dependencies. What currently passes for “AI” could not exist without being able to train models on giant piles of data that the Internet and the web made possible, and that took 20 years to build. Neural networks pioneer Geoff Hinton came up with the ideas for convolutional neural networks as long ago as the 1980s, but it took until the last decade for them to become workable. That’s because it took that long to build sufficiently powerful computers and to amass enough training data. How do you understand the ongoing battle between those who wish to protect privacy via data protection laws and those who want data to flow freely without hindrance if you do not understand what those masses of data are important for?

This isn’t the only such issue. A surprising number of people who should know better seem to believe that the solution to all our ills with social media is to destroy Section 230, apparently believing that if S230 allowed Big Tech to get big, it must be wrong. Instead, the reality is also that it allows small sites to exist and it is the legal framework that allows content moderation. Improve it by all means, but understand its true purpose first.

Reviewing movies and futurist projections such as Vannevar Bush’s 1946 essay As We May Think (PDF) and Alan Turing’s lecture, Computing Machinery and Intelligence? (PDF) doesn’t really help because so many ideas arrive long before they’re feasible. The crew in the original 1966 Star Trek series (to say nothing of secret agent Maxwell Smart in 1965) were talking over wireless personal communicators. A decade earlier, Arthur C. Clarke (in The Nine Billion Names of God) and Isaac Asimov (in The Last Question) were putting computers – albeit analog ones – in their stories. Asimov in particular imagined a sequence that now looks prescient, beginning with something like a mainframe, moving on to microcomputers, and finishing up with a vast fully interconnected network that can only be held in hyperspace. (OK, it took trillions of years, starting in 2061, but still..) Those writings undoubtedly inspired the technologists of the last 50 years when they decided what to invent.

This all led us to fakes: as the technology to create fake videos, images, and texts continues to improve, she wondered if we will ever be able to keep up. Just about every journalism site is asking some version of that question; they’re all awash in stories about new levels of fakery. My 25-year-old discussant believes the fakes will always be improving faster than our methods of detection – an arms race like computer security, to which I’ve compared problems of misinformation / disinformation before.

I’m more optimistic. I bet even a few years from now today’s versions of generative “AI” will look as primitive to us as the special effects in a 1963 episode of Dr Who or the magic lantern used to create the Knock apparitions do to generations raised on movies, TV, and computer-generated imagery. Humans are adaptable; we will find ways to identify what is authentic that aren’t obvious in the shock of the new. We might even go back to arguing in pubs.

Illustrations: Secret agent Maxwell Smart (Don Adams) talking on his shoe phone (via Wikimedia).

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon

Review: Virtual You

Virtual You: How Building Your Digital Twin Will Revolutionize Medicine and Change Your Life
By Peter Coveney and Roger Highfield
Princeton University Press
ISBN: 978-0-691-22327-8

Probably the quickest way to appreciate how much medicine has changed in a lifetime is to pull out a few episodes of TV medical series over the years: the bloodless 1960s Dr Kildare; the 1980s St Elsewhere, which featured a high-risk early experiment in now-routine cardiac surgery; the growing panoply of machcines and equipment of the 2000s series E.R. (1994-2009). But there are always more improvements to be made, and around 2000, when the human genome was being sequenced, we heard a lot about the promise of personalized medicine it was supposed to bring. Then we learned over time that, as so often with scientific advances, knowing more merely served to show us how much more we *didn’t* know – in the genome’s case, about epigenetics, proteomics, and the microbiome. With some exceptions such as cancers that can be tested for vulnerability to particular drugs, the dream of personalized medicine so far mostly remains just that.

Growing alongside all that have been computer models, mostly famously used for metereology and climate change predictions. As Peter Coveney and Roger Highfield explain in Virtual You, models are expected to play a huge role in medicine, too. The best-known use is in drug development, where modeling can help suggest new candidates. But the use that interests Coveney and Highfield is on the personal level: a digital twin for each of us that can be used to determine the right course of treatment by spotting failures in advance, or help us make better lifestyle choices tailored to our particular genetic makeup.

This is not your typical book of technology hype. Instead, it’s a careful, methodical explanation of the mathematical and scientific basis for how this technology will work and its state of development from math and physics to biology. As they make clear, developing the technology to create these digital twins is a huge undertaking. Each of us is a massively complex ecosystem generating masses of data and governed by masses of variables. Modeling our analog selves requires greater complexity than may even be possible with classical digital computers. Coveney and Highfield explain all this meticulously.

It’s not as clear to me as it is to them that virtual twins are the future of mainstream “retail” medicine, especially if, as they suggest, they will be continually updated as our bodies produce new data. Some aspects will be too cost-effective to ignore; ensuring that the most expensive treatments are directed only to those who can benefit will be a money saver to any health service. But the vast amount of computational power and resources likely required to build and maintain a virtual twin for each individual seem prohibitive for all but billionaires. As in engineering, where virtual twins are used for prototyping or meterology, where simulations have led to better and more detailed forecasts, the primary uses seem likely to be at the “wholesale” level. That still leaves room for plenty of revolution.

The good fight

This week saw a small gathering to celebrate the 25th anniversary (more or less) of the Foundation for Information Policy Research, a think tank led by Cambridge and Edinburgh University professor Ross Anderson. FIPR’s main purpose is to produce tools and information that campaigners for digital rights can use. Obdisclosure: I am a member of its advisory council.

What, Anderson asked those assembled, should FIPR be thinking about for the next five years?

When my turn came, I said something about the burnout that comes to many campaigners after years of fighting the same fights. Digital rights organizations – Open Rights Group, EFF, Privacy International, to name three – find themselves trying to explain the same realities of math and technology decade after decade. Small wonder so many burn out eventually. The technology around the debates about copyright, encryption, and data protection has changed over the years, but in general the fundamental issues have not.

In part, this is because what people want from technology doesn’t change much. A tangential example of this presented itself this week, when I read the following in the New York Times, written by Peter C Baker about the “Beatles'” new mash-up recording:

“So while the current legacy-I.P. production boom is focused on fictional characters, there’s no reason to think it won’t, in the future, take the form of beloved real-life entertainers being endlessly re-presented to us with help from new tools. There has always been money in taking known cash cows — the Beatles prominent among them — and sprucing them up for new media or new sensibilities: new mixes, remasters, deluxe editions. But the story embedded in “Now and Then” isn’t “here’s a new way of hearing an existing Beatles recording” or “here’s something the Beatles made together that we’ve never heard before.” It is Lennon’s ideas from 45 years ago and Harrison’s from 30 and McCartney and Starr’s from the present, all welded together into an officially certified New Track from the Fab Four.”

I vividly remembered this particular vision of the future because just a few days earlier I’d had occasion to look it up – a March 1992 interview for Personal Computer World with the ILM animator Steve Williams, who the year before had led the team that produced the liquid metal man for the movie Terminator 2. Williams imagined CGI would become pervasive (as it has):

“…computer animation blends invisibly with live action to create an effect that has no counterpart in the real world. Williams sees a future in which directors can mix and match actors’ body parts at will. We could, he predicts, see footage of dead presidents giving speeches, films starring dead or retired actors, even wholly digital actors. The arguments recently seen over musicians who lip-synch to recordings during supposedly ‘live’ concerts are likely to be repeated over such movie effects.”

Williams’ latest work at the time was on Death Becomes Her. Among his calmer predictions was that as CGI became increasingly sophisticated the boundary between computer-generated characters and enhancements would become invisible. Thirty years on, the big excitement recently has been Harrison Ford’s deaging for Indiana Jones and the Dial of Destiny. That used CGI, AI, and other tools to digitally swap in his face from 1980s footage.

Side note: in talking about the Ford work to Wired, ILM supervisor Andrew Whitehurst, exactly like Williams in 1992, called the new technology “another pencil”.

Williams also predicted endless legal fights over copyright and other rights. That at least was spot-on; AI and the perpetual reuse of retained footage without further payment is part of what the recent SAG-AFTRA strikes were about.

Yet, the problem here isn’t really technology; it’s the incentives. The businessfolk of Hollywood’s eternal desire is to guarantee their return on investment, and they think recycling old successes is the safest way to do that. Closer to digital rights, law enforcement always wants greater access to private communications; the frustration is that incoming generations of politicians don’t understand the laws of mathematics any better than their predecessors in the 1990s.

Many of the speakers focused on the issue of getting government to listen to and understand the limits of technology. Increasingly, though, a new problem is that, as Bruce Schneier writes in his latest book, The Hacker’s Mind, everyone has learned to think like hackers and subvert the systems they’re supposed to protect. The Silicon Valley mantra of “ask forgiveness, not permission” has become pervasive, whether it’s a technology platform deciding to collect masses of data about us or a police force deciding to stick a live facial recognition pilot next to Oxford Circus tube station. Except no one asks for forgiveness either.

Five years ago, at FIPR’s 20th anniversary, when GDPR is new, Anderson predicted (correctly) that the battles over encryption would move to device access. Today, it’s less clear what’s next. Facial recognition represents a step change; it overrides consent and embeds distrust in our public infrastructure.

If I were to predict the battles of the next five years, I’d look at the technologies being deployed around European and US borders to surveil migrants. Migrants make easy targets for this type of experimentatioon because they can’t afford to protest and can’t vote. “Automated suspicion,” Euronews.next calls it. That habit of mind is danagerous.

Illustrations: The liquid metal man in Terminator 2 reconstituting itself.

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon

The end of ownership

It seems no manufacturer will be satisfied until they have turned everything they make into an ongoing revenue stream. Once, it was enough to sell widgets. Then, you needed to have a line of upgrades and add-ons for your widgets and all your sales personnel were expected to “upsell” at every opportunity. Now, you need to turn some of those upgrades and add-ons into subscription services, and throw in some ads for extra revenue. All those ad-free moments in your life? To you, this is space in which to think your own thoughts. To advertisers, these are golden opportunities that haven’t been exploitable before and should be turned to their advantage. (Years ago, I remember, for example, a speaker at a lunchtime meeting convened by the Internet Advertising Bureau saying with great excitement that viral emails could bring ads into workplaces, which had previously been inaccessible.)

The immediate provocation for this musing is the Chamberlain garage door opener that blocks third-party apps in order to display ads. To be fair, I have no skin in this specific game: I have neither garage door opener nor garage door. I don’t even have a car (any more). But I have used these items, and I therefore feel comfortable in saying that this whole idea sucks.

There are three objectionable aspects. First is the ad itself and the market change it represents. I accept that some apps on my phone show ads, but I accept that because I have so far decided not to pay for them (in part because I don’t want to give my credit card information to Google in order to do so). I also accept them because I have chosen to use the apps. Here, however, the app comes with the garage door opener, which you *have* paid for, and the company is double-dipping by trying to turn it into an ongoing revenue stream; its desire to block third-party apps is entirely to protect that revenue stream. Did you even *want* an app with your garage door opener? Does a garage door need options? My friends who have them seem perfectly happy with the two choices of open or closed, and with a gizmo clipped to their sun visor that just has a physical button to push.

Second is the reported user interface design, which forces you to scroll past the ad to get to the button to open the door. This is theft: Chamberlain is stealing a sliver of your time and patience whenever you need to open your garage door. Both are limited resources.

Third is the loss of control over – ownership of – objects you have ostensibly bought. With few exceptions, it has always been understood that once you’ve bought a physical object it’s yours to do with what you want. Even in the case of physical containers of intellectual property – books, CDs, LPs – you always had the right to resell or give away the physical item and to use it as often as you wanted to. The arrival of digital media forced a clarification: you owned the physical object but not the music, pictures, film, or text encoded on it. The part-pairing discussed here a couple of weeks ago is an early example of the extension of this principle to formerly wholly-owned objects. The more software infiltrates the physical world, the more manufacturers will seek to use that software to control how we use the devices they make.

In the case we began with, Chamberlain’s decision to shut off API access to third parties to protect its own profits mirrors a recent trend in social media such as Reddit and Twitter in response to large language models built on training data scraped from their sites. The upshot in the Chamberlain case is that the garage door openers stop working with home automation systems into which the owners want to integrate them. Chamberlain has called this integration unauthorized usage and complains that said use means a tiny proportion of its customers consumed more than half of the traffic to and from its system. Seems like someone could have designed a technical solution for this.

At Pluralistic, Cory Doctorow lists four ways companies can be stopped from exerting unreasonable post-purchase control: fear of their competition, regulation, technical feasibility, and customer DIY. All four, he writes, have so far failed in this case, not least because Chamberlain is now owned by the private equity firm Blackstone, which has already bought up its competitors. Because there are so many other examples, we can’t dismiss this as a one-off; it’s a trend! Or, in Doctorow’s words, “a vast and deadly rot”.

An early example came from Tesla in 2020; when it disabled Full Self-Drive on a used Model S on the grounds that the customer hadn’t paid for it. Over-the-air software updates give companies this level of control long after purchase.

Doctorow believes a countering movement is underway. I hope so, because writing this has led me to this little imaginary future horror: the guitar that silences itself until you type in a code to verify that you have paid royalties for the song you’re trying to play. Logically, then, all interaction with physical objects could become like waiting through the ads for other shows on DVDs until you could watch the one you paid to see. Life is *really* too short.

Illustrations: Steve (Campbell Scott) shows Linda (Kyra Sedgwick) how much he likes her by offering her a garage door opener in Cameron Crowe’s 1992 film Singles.

Wendy M. Grossman is the 2013 winner of the Enigma Award. Her Web site has an extensive archive of her books, articles, and music, and an archive of earlier columns in this series. She is a contributing editor for the Plutopia News Network podcast. Follow on Mastodon